Works created @ The University of Bolton 2016
'Intrinsic Series'
My practice here was involved with investigating pure surface areas that are marked or impacted upon by aesthetical qualities explored throughout printing processes.
With previous experiences and
recurrent influences in abstraction, colour, mark making and emotive subjects
my work aims to endorse and emphasise the physicality of the creative process
through traditional media.
My work opens up a further dialogue
of responsive mark making in essence to the body, conscious and subconscious
decision-making. To achieve these outcomes my practice examines the development
of intuitive anthropomorphic qualities with the notion to prompt visceral
responses.
Heavily influenced by the
concepts of the American Abstract art movement alongside works by Tania Kovats
and Claude Heath my work aims to imitate the act of the spontaneous process.
Utilising the expressionist’s idea of autonomy and unbound approaches, it is
the considered subject matter of my independent practice were my work
separates.
Throughout this explorative
progression my purpose was to achieve a deeper contextual and practical
understanding of the liberty surrounding the impulsiveness of mark making and
process lead directions. Emphasising process as a ‘container’ to initialise my
practice, my intent is to gain an awareness and connection to varying methods
capable of sustaining and portraying distinctive and instinctive mark making
techniques.
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